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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell with Marc Almond in Leeds during 1977

Dave Ball, one half of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the team achieved a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is regarded as a seminal work of synth-pop.

He later formed the innovative electronic act The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his sleep at his home in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that show, Ball performed in a mobility chair, as he had for the last two years, after a spate of ill-health.

"I managed to damage myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my spine and fractured about multiple ribs and fractured my wrist."

After catching pneumonia and developing blood poisoning, he was placed in an medically-induced sleep and stayed in the hospital for seven months.

However, he had been in "a great place mentally" over the warmer months, as he worked on a fresh record with Almond, titled the upcoming Danceteria, which is set for release next year.

"He was focused and so happy with the latest project that we actually finished only a short time ago," stated the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive year for him, and I find comfort from the knowledge that he heard the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense aspect of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is distinct from being in a band, the bond is incredibly close," he continued.
"That was the case with us. We experienced so many remarkable, extraordinary, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Born into a single-parent household in Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He was raised in the seaside town with his new family Donald and Brenda Ball, who changed his first name from Paul to David, together with his younger sister Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Fuelled by a shared love of Northern Soul, they formed Soft Cell the same year, and quickly recorded an extended play.

Musical Partnership

The duo were an unusual combination: Ball was the quiet musician, hunched over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they attained a unique creative synergy.

Ball had cultivated a interest with synthesizers after viewing the band Kraftwerk appear on a television science show a popular series, and started to marry dark electronica to the catchy tunes Almond was composing.

Tainted Love became the United Kingdom's second biggest-selling single of the early 80s, selling 21 million units globally. Alongside hits by other artists, contemporary bands and Ultravox, it contributed to paved the path for the electronic music style of the 1980s.

The song was also included on their first album, their initial LP, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were developing new material right up until Ball's passing

Career Highlights

Success had its upsides. "I loved being able to afford my initial property, having financial security and exploring, which might seem like a beauty queen," Ball not long ago shared with a publication.

But it also caused problems. "Newfound wealth allowed we could afford substances to relieve the boredom" of press appearances and television shows, Ball said.

"I know that's a common saying, but it's a truism for a valid cause, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to produce a second memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out another album, 1984's This Last Night In Sodom, before dissolving the group to focus on other projects.

Almond proceeded to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the Top 40 album Cruelty Without Beauty.

After another break, they returned in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on September 30, that year.

Yet, they stayed together, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the band's new album as a tribute to the New York club scene they visited while recording their first two albums.

He added that his time in medical care had influenced the band's sound.

"I had unusual memories when I was coming and going of the hospital because I was on pain medication," he told a music magazine.
"The new songs are a digital reflection of the noises in my mind from those days.
"Simultaneously, it's about the experiences me and Marc had in the 1980s."

The last versions were finished only a short time before Ball died. It is due for launch in the spring of 2026.

By

Cassandra Jenkins

A professional poker strategist with over a decade of experience in online tournaments and market analysis.

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